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Review: A child of radicals creates ‘Revolution(s)’ at Goodman Theatre with a Tom Morello score

Review: A child of radicals creates ‘Revolution(s)’ at Goodman Theatre with a Tom Morello score

A show titled “Revolution(s)” deserves a good quote from Karl Marx. But it’s telling that the line picked by Zayd Ayers Dohrn for the book for his striking new musical at the Goodman Theatre is this one: “The tradition of all the dead generations...

Owner:  Randall D. Smith & Heath Freeman
Review: Goodman’s rebellious ‘Revolution(s)’ is a musical at war with itself

Review: Goodman’s rebellious ‘Revolution(s)’ is a musical at war with itself

Boasting a score from the catalog of Tom Morello of Rage Against the Machine and Audioslave fame, the new musical “Revolution(s)” at Goodman Theatre bursts with an authentically rebellious musical spirit. When the high-caliber cast and onstage...

Owner:  Chicago Public Media
Review: Slow-burning ‘Prodigal Son’ introduces a new company

Review: Slow-burning ‘Prodigal Son’ introduces a new company

Playwright John Patrick Shanley, whose drama “Doubt: A Parable” won both the Pulitzer Prize for drama and Tony Award for best play in 2005, returns to a familiar setting for “Prodigal Son” — a Catholic school in the mid-1960s. But the latter play,...

Owner:  Randall D. Smith & Heath Freeman
Review: Radvanovsky captures Medea's blind rage and complex humanity in Lyric Opera's production

Review: Radvanovsky captures Medea's blind rage and complex humanity in Lyric Opera's production

Riveting, all-out, all-encompassing. That’s the kind of towering performance Sondra Radvanovsky delivers in Lyric Opera of Chicago’s first-ever production of “Medea,” adding a memorable chapter to an already distinguished career and opening the...

Owner:  Chicago Public Media

MUSIC REVIEW: Apollo’s Fire “Dido and Aeneas” by Laura Kennelly

Apollo’s Fire brought Dido and Aeneas to the Baldwin Wallace University Conservatory of Music on Sunday October 12 for the ensemble’s final October performance (the last of seven, including two in Chicago). Dido and Aeneas, Henry Purcell’s 1689...

Owner:  Thomas Mulready
Review | Stories, Songs, and Smiles with Colin Hay

Review | Stories, Songs, and Smiles with Colin Hay

If Colin Hay’s singing voice ever goes, he’s got a fine future ahead doing standup. He’s quite the raconteur. I found myself still laughing days later at some of his stories about hanging out with Paul McCartney (who showed up at his house, ate a...

Owner:  Marianne Partridge
N.J. Symphony kicks off 103rd season with Tchaikovsky and style | Review

N.J. Symphony kicks off 103rd season with Tchaikovsky and style | Review

The New Jersey Symphony kicked off its 103rd season Friday night in Newark with a gala dinner and concert. The mood was celebratory at NJPAC, with golden-rayed lilies draped from the stage and conductor’s podium. The evening marked music director...

Owner:  Newhouse Family
Theater Review: ‘Next to Normal,’ Lost Nation Theater

Theater Review: ‘Next to Normal,’ Lost Nation Theater

Musical comedy is a reliable source of happy endings, so a set of characters that doesn’t fit the happily-ever-after template is both rare and compelling to watch. What if simply surviving is triumph enough? Next to Normal is the story of a loving...

Owner:  Paula Routly
Theater review: Slow Burn’s ‘Catch Me If You Can’ at Broward Center is one show you don’t want to miss

Theater review: Slow Burn’s ‘Catch Me If You Can’ at Broward Center is one show you don’t want to miss

Slow Burn Theatre Co. soars high into its 16th season with a lively production of the musical “Catch Me If You Can,” running now through Oct. 26 at Fort Lauderdale’s Broward Center for the Performing Arts. Under the assured direction of Patrick...

Owner:  Randall D. Smith & Heath Freeman
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